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Shakespeare in Mind

Shakespeare in Mind

Conceived by Michael Bigelow Dixon. Written by Janet Allard, Niko Tsakalakos, Constance Congdon, Richard Dresser, Ginna Hoben, Brooke Jennett, Mollie LaFavers, Jon Jory, Jeremy Paden, Valerie Smith, Dean Staley, Justin Wright and Elizabeth Wong.

Product Code: S2D000

  • Full-length Play
  • Comedy | Drama | Tragedy
  • Cast size: 10 to 50 either gender.

Rights and availability
This title can be licensed and sold throughout the World.

* Please note the royalty rate listed is the minimum royalty rate per performance. The actual royalty rate will be determined upon completion of a royalty application.

$10.95 /script

Min. Royalty Rate: $100/perf

In stock

Synopsis

Haunting and hilarious, Shakespeare in Mind takes a strange and wondrous trip through a dozen "post-modern Elizabethan" plays, poems and songs. Motifs of fear and murder, love and death, dreams and destiny weave in and out of our modern minds that Shakespeare now inhabits. And just like Will's own plays, this dynamic production interweaves comedy, romance, song and tragedy as it presents contemporary characters interacting with Macbeth and Duncan, Juliet and Titus Andronicus, Othello and Desdemona, and 20 other classic characters. The production opens with Elizabeth Wong's Shakespeare's Brainscan, which uses the many murders in Titus Andronicus to demonstrate how our brains respond to fear and horror. Playwrights Brooke Jennett and Mollie LaFavers offer a contemporary romance that recalls the lyrical love of Shakespeare's star-crossed lovers. Richard Dresser's Tomorrow & Tomorrow & Tomorrow & Today updates the violence in Macbeth for bloodthirsty audiences of today. Spit Spat Spite Splendor by Ginna Hoben pushes six pairs of Shakespeare's famous lovers down a slippery slope from ecstasy to enmity, ending with a ferocious food fight accompanied by a romantic ballad written by Janet Allard and composed by Niko Tsakalakos. Poet Jeremy Paden illuminates the tragedy of Othello by placing it in the context of seafaring explorers of the 16th century, and Jon Jory questions the cause of recent wars by riffing on Juliet's famous soliloquy, "What's in a name?" All this and more is channel-surfed by a trio of characters who discuss the relevance of Hamlet while comparing it to Game of Thrones in Valerie Smith's Gogglebox Hamlet. Iago's motives and methods are lampooned in Dean Staley's wacky Iago on the Bus. A woman confesses to the murders in Shakespeare's plays in Justin Wright's unnerving monologue, Chivalry. Another woman can't escape the threats of her husband, who thinks he's Othello and she's Desdemona … until she turns the tables by reimagining herself as Lady Macbeth! And Constance Congdon places it all in perspective through a series of conversations between a young Will Shakespeare and the ghost of Christopher Marlowe. Together these works celebrate and reimagine the theatrical universe of the Bard for a technology-driven 21st-century audience.

Notes

A Guitar/Vocal score is included in the playbook. For any productions without a guitar player, a Piano/Vocal Score is available upon request.

Details

  • Status

    In stock

  • Type of Show Full-length Play
  • Product Code S2D000
  • Cast Size 10
  • Min. Royalty Rate $100/perf
  • Cost $10.95
  • Approx. Run Time 75 min

Categories

  • Target Audience High School | College and Adult
  • Performing Group High School | College Theatre | Community Theatre
  • Genre Comedy | Drama | Tragedy
  • ISBN(13) 9781619590526
* Please note the royalty rate listed is the minimum royalty rate per performance. The actual royalty rate will be determined upon completion of a royalty application.