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Dracula

Dracula (Unbound Manuscript)

Adapted by Philip Grecian. Based on the novel by Bram Stoker.

Product Code: D91000

  • Full-length Play
  • Drama
  • Cast size: 7m., 3w.

    Digital Script and Livestream Rights Available

    Contact our customer service department to order or for more information.

Rights and availability
This title can be licensed and sold throughout the World.

* Please note the royalty rate listed is the minimum royalty rate per performance. The actual royalty rate will be determined upon completion of a royalty application.

$39.95 /script

Min. Royalty Rate: $90/perf

In stock

Synopsis

Remember the good old days of radio—when people had to use their imaginations—when the mind was a stage? Those days are back—only better! You can SEE as well as HEAR radio programs. "I have long followed the trail of the vampire," Professor Van Helsing tells us, "It lives on…for centuries…draining the blood…the life…from its victims, causing them also to become vampires. And this is our story. The story of a small band or mortals who faced the most powerful vampire of them all." It is 1888 and, in Whitby, England, Lucy Westenra has fallen ill. Her fiancée, Jack Seward has brought her to his sanitarium and called in a battery of physicians, but her condition worsens. Desperate, Jack sends for Van Helsing, a specialist in obscure diseases. Van Helsing's visit coincides with that of Jonathan Harker and his wife, Mina, who had been Seward's nurse, but resigned to care for Jon during his recent illness. Better now, Jon remarks that his law firm has purchased, for a Transylvanian client, the old Abbey next door to Seward's sanitarium. The client's name is Count Dracula. It was during his time in Transylvania that Jon fell ill, though most of his memory of the visit appears to have been erased. R.M. Renfield, a resident at the asylum, seems a lunatic, but Van Helsing perceives there is more to Renfield than meets the eye. Despite all Van Helsing's efforts, Lucy dies. He now turns his attention to Jon. Under hypnosis, Jon remembers his time in Transylvania, and that Count Dracula is a supernatural monster. Newspaper stories speak of a Lady in White haunting the Hampstead Heath, and Van Helsing reveals that this is Lucy, now undead. Seward, enraged, orders Van Helsing from his house. Alone, Van Helsing turns to find Dracula in the room with him. A struggle ensues as Seward and the Harkers enter. Dracula leaves through a window just as Renfield is discovered, broken and bloody, at the door. Before he dies, Renfield reveals his role in Dracula's plot, including the vampire's double life as Jack the Ripper in London. Renfield begs Van Helsing to save Mina, whom Dracula has begun to convert to vampirism. In a final battle at Dracula's Abbey mansion, the vampire is vanquished and Mina is purified as the sun rises.

Notes

PLEASE NOTE: This title is in unbound manuscript format. Upon licensing, a permission to photocopy form will be issued.

Digital Script and Livestream Rights Available

Contact our customer service department to order or for more information.

Some of the advantages to producing radio plays:

One Simple Set—A radio station—made up mostly of drapes, a control booth (if desired), mikes, and sound effects equipment.

Less Wardrobe—no changes of wardrobe are necessary.

Less Staging—actors simply stand at mikes most of the time.

Less Rehearsal—actors don't memorize lines—they just read them.

Fewer Cast Members—one actor plays many parts.

No Props—only scripts.

Details

  • Status

    In stock

  • Type of Show Full-length Play
  • Product Code D91000
  • Cast Size 10
  • Min. Royalty Rate $90/perf
  • Cost $39.95
  • Approx. Run Time 85 min

Categories

  • Target Audience High School | College and Adult
  • Performing Group High School | College Theatre | Community Theatre | Professional Theatre
  • Genre Drama
  • ISBN(13) 9781583423271
* Please note the royalty rate listed is the minimum royalty rate per performance. The actual royalty rate will be determined upon completion of a royalty application.

Customer Reviews

"We did it as an actual radio production, complete with musical underscoring and foley sound effects. It was a great option since we can't have public performances in the tome of covid. It gave our performers a good challenge in focusing exclusively on voice acting, knowing that physicality would not help establish character. All in all it was a great success!"
Review by Craig Choma, Knox College, Galesburg, Ill.
"We used this play for our first foray into doing a full-length play on Zoom. The show was well received - a nice spooky treat for the night before Halloween. Our biggest challenges was that the script called for music and many sound effects and Zoom (at least how we knew to use it) prevented a lot of them from getting through, however all that didn't spoil the audience enjoyment of this time honoured story."
Review by Lynda Daniluk, Smiths Falls Community Theatre, Smith Falls, Ontario
"This was a great show to work on during the global pandemic. The radio drama format transitioned well to a virtual world and we were able to put on a great show! Be sure to start tech early, however, to cover sound effects and vocal changes."
Review by Taryn Galasso, Harvard High School, Harvard, Ill.
"This show was a true crowd pleaser! As the author suggested in his opening notes, audience members closed their eyes to listen, and stepped into Dracula's world. The script was true to the original classic by Bram Stoker, and the actors relished their roles. "
Review by Deborah Lonon, Western Piedmont Community College, Morganton, N.C.

Hints, Tips, and Tricks

"Secure a group of actors who can act through their voices. That was the key to this production."
Tip by Stephen Scovasso, SAS Performing Arts Company and Studios, Inc., Newark, N.J.
"Start using sound SFX as soon as possible, even if you are not certain of how to make the desired noise. Your SFX team should be viewed as another actor."
Tip by Scott Anderson, Northwest Arkansas Audio Theatre, Springdale, Ark.