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10 Seconds

10 Seconds

By Miriam Gonzales.

Product Code: TX8000

  • One-act Play
  • Drama
  • Cast size: 3m., 1w.

    Livestream and Record & Stream Rights Available

Rights and availability
This title can be licensed and sold throughout the World.

* Please note the royalty rate listed is the minimum royalty rate per performance. The actual royalty rate will be determined upon completion of a royalty application.

$10.95 /script

Min. Royalty Rate: $55/perf

* This title in playbook form is currently out of stock. Please enter your email to be notified when it becomes available or contact our office to purchase a manuscript.

Synopsis

In a world where deeply rooted biases and misperceptions easily take hold, life can often feel unnerving—a journey that can change for better or worse in a blink of an eye depending on how we see each other. In 10 Seconds, we see through the eyes of Ray and Jimi, who navigate their young adult worlds and what it means to be young Black men in the city. Ray tells the story of a day that he and Jimi will never forget, sharing not only their perspectives, but also the views of the police they encounter.

Notes

Livestream and Record & Stream Rights Available

To review some frequently asked questions about streaming, please click here.

To apply for livestream or record & stream rights, please complete this form.

Details

  • Status

    Out of stock

  • Type of Show One-act Play
  • Product Code TX8000
  • Cast Size 4
  • Min. Royalty Rate $55/perf
  • Cost $10.95
  • Approx. Run Time 45 min

Categories

  • Target Audience Young Audiences | Middle School | High School | College and Adult
  • Performing Group Middle School | High School | College Theatre | Community Theatre | Professional Theatre | TYA
  • Genre Drama
  • ISBN(13) 9781619593008
* Please note the royalty rate listed is the minimum royalty rate per performance. The actual royalty rate will be determined upon completion of a royalty application.

Media Reviews

“A vital way to keep up the pressure to demand changes to a broken system.” —broadwayworld.com