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8 to 10m., 4 to 7w., 3 to 16 either gender. Extras as desired.
Livestream and Record & Stream Rights Available
90 min.
Ruth dreams of being a Knight of the Round Table. But King Arthur and the other heroes laugh at her when she “battles” a lizard pretending to be a dragon. Humiliated, Ruth sets off to form her own queendom, bringing with her the lizard and a mule that she claims is a unicorn. Soon they are joined by a frog, a skunk and two kids; or are they an ogre, a wizard and knights? On their quest, they meet two evil sorcerers who have their own plan to outdo King Arthur. Learn More
Haunting and hilarious, this play takes a strange and wondrous trip through a dozen "post-modern Elizabethan" plays, poems and songs. And just like Will's own plays, this dynamic production interweaves comedy, romance, song and tragedy as it presents contemporary characters interacting with Macbeth and Duncan, Juliet and Titus Andronicus, Othello and Desdemona, and 20 other classic characters. Learn More
2m., 2w. (2-4 m, 2-4 w., 1 pianist; expandable to 35; chorus if desired.)
Limited Livestream and Record & Stream Rights Available
110 min.
This sparkling entertainment comprises the finest comic writing inspired by Shakespeare. As well as classic songs and sketches by such well-known names as Stephen Sondheim, Cole Porter, Noel Coward, Tom Lehrer and the Beyond the Fringe team, it also features specially written material by the best modern revue writers. The Shakespeare Revue was first presented by the Royal Shakespeare Company at Stratford-upon-Avon. Following a sell-out run, it transferred to the West End where it won great critical acclaim. Learn More
This dramatic adaptation, sprinkled with comedic commentary, is a winner for elementary, middle, and early high school. Shakespeare's Scottish tragedy is told within a lively and humorous story-theatre frame. Macbeth and his Lady covet the crown while witches, ghosts, kings and soldiers sweep across the landscape, carving out the battle between good and evil. Shakespeare characters speak the Bard's words, while storytellers fill in plot and comment wryly on the escalating action. Learn More
In 1789 in an Australian penal colony, a marine lieutenant decides to put on a play to celebrate the king's birthday. He casts the play with the English convicts who populate this distant prison camp. Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric punishments--brilliantly juxtaposed against the civilizing influence of theatrical endeavor.
Was Shakespeare's dark lady of the sonnets Italian musician and poetess Emilia Bassano? Dark Lady is a powerful, passionate portrayal of two emotionally charged artistic geniuses who meet by chance, love ever briefly, and then are forced apart. Learn More