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Sunday Gold
Sunday Gold
"What I love about this play is that it addresses biases, both racial and gender biases. The play takes place 150 years ago, and it astonishes me how many biases the play addresses are biases we still face today."
—Pamela DiPasquale, Director, Children's Theatre of Maine
Drama. By Joanna H. Kraus.

Cast: 4m., 3w. "Sunday Gold focuses on two 12-year-old girls, one white, one black, who work at a gold mine in Gold Hill, N.C., in the 1840s. They spend 12 hours a day rocking a large wooden trough, washing out gold flakes from piles of ore. Although they played together as younger children, slavery long since separated them. While Annis, a young slave girl, was 'hired out' to an abusive hotel owner, Lizzie's father moved their family to Gold Hill. Now they find themselves together again, working at the mine. Through the play, Lizzie and Annie negotiate the racial barriers that divide them. Ultimately they learn about things that gold cannot buy: education, friendship and freedom. Sunday Gold is honest theater for young people, with a sharper edge than most. Instead of providing pat answers to the questions it raises, Sunday Gold invites discussion … about the time and about these compelling characters." (Raleigh News & Observer) Commissioned by the Raleigh Little Theatre in partnership with the North Carolina Museum of History, Sunday Gold had its premiere at the Raleigh Little Theatre, followed by a professional touring production performed at educational institutions and museums throughout the state. Area staging. Approximate running time: 1 hour.

Revision
Notes
This optional play ending, brings some closure to Annie's story:

Act Two, Scene Four. Scene: Main Street. At rise: LIZZIE runs on happily swinging her schoolbag, stops in front of Scott Shoe Company. DANIEL meets her in the doorway, holding boots.
DANIEL. Afternoon, Miss Lizzie.
LIZZIE Afternoon, Daniel.
DANIEL Now how'd you do on that poem you were worrying about so?
LIZZIE The teacher said I didn't make one mistake. All four verses. Not one mistake.
DANIEL Now that's just fine, Miss Lizzie. (Handing her boots.) Here's your boots all fixed up. Best look 'em over before you put them on.
LIZZIE They're shined up so, I can even see my face in 'em. (Puts hand inside.) Why…what…? (Pulls out a folded piece of paper and reads with growing excitement.) "Lizzie Johnson, Gold Hill, North Carolina." (Opens it.) It's from Annie. ANNIE!
DANIEL (looking around hastily). Better put that away now, Miss Lizzie.
LIZZIE She's all right, Daniel. She made it. She's safe.
DANIEL Shh. No telling who might hear.
LIZZIE (stuffs letter in her pocket and hugs her boots). Thank you, Daniel. Thank you.
DANIEL Don't think I've ever seen anyone so happy about shined-up boots.
LIZZIE (grinning). Reckon you're right, Daniel. Reckon you're right!

(Lighting fades. THE END.)
Play details
Status:  In Stock
Type of show:  Full-Length
Catalog Code:  SC6
Cast Size:  7
No. of Act(s):  2
Pages:  44
Royalty:  $65.00 /perf.*
Cost:  $7.50
Approx. Running Time:  60 min.
Categories
Target Audience: Middle School | High School | College and Adult | Family (All Audiences)
Performing Group: High Schools | College Theatre | Community Theatre | Stock & Lort
Genre: Drama
ISBN (10): 0871298678
Biographies
Joanna H. Kraus is an award-winning playwright of 18 produced and published plays. The Ice Wolf (Dramatic Publishing) and Remember My Name (Samuel French) were both produced off-off Broadway. The former appears in several anthologies and has a Spanish version. Her latest script is Pilot Christabel (Dramatic Publishing). Kraus received the Charlotte Chorpenning Cup and the Distinguished Play Award from ...More
Rights & Availability
This title can only be licensed/sold in the U.S. and Canada
* Please note that royalties quoted in our catalog are intended for K-12 schools with a standard curriculum only. All other producing groups must submit a completed application.


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