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Classroom Scenes and Monologues |
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Compiled and edited by Kent R. Brown. Written by David Alex, Ric Averill, Sandra Fenichel Asher, Max Bush, Marcia Cebulska, Joanna Leigh Congalton, Doug Cooney, Ellen Fairey, Nancy Gall-Clayton, Claudia Haas, Elizabeth Hemmerdinger, Kerri Kochanski, Christa Kreimendahl, Robin Rice Lichtig, Kevin M. Lottes, Edward Mast, Lucinda McDermott, Rosemary McLaughlin, Cynthia Mercati, Jett Parsley, Mark Plaiss, Kay Rhoads, Julia Rosenfeld, Tammy Ryan, Kristina M. Schramm, Mike Thomas, Rachel Feldbin Urist and Elizabeth Wong Classroom Scenes and Monologues features over 80 challenging roles for middle-school and high-school actors. Funny and serious, diverse in theme and style, this anthology will motivate actors to create provocative and intriguing characterizations. Designed as a companion to Scenes and Monologues for Young Actors, the material reflects the authors' intimate appreciation for the ever-changing and sometimes chaotic world inhabited by young minds. Representative titles: Shakespeare in Hollywood, The Gretchen Worm, Pirate Girl, Grilled Cheese, The Makeover, Harley's Art Farce, Forgiving the Devil, Desert Dreams, The Pier Group, Brain Freeze, Ripper Girl and Phebe, Friendship and a Fat Suit. Classroom Scenes and Monologues is equally useful as a resource for acting auditions and duet competitions. 6x9 - 240 pages.
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| | Re contact information change for David Alex, author of the piece "A Rose Is a Rose": David Alex, 2100 N. Lincoln Park W., Apt. 11BN, Chicago IL 60614-0984. Phone: (773) 348-9698. The e-mail address is the same as in the book - mrdavidalex@yahoo.com |
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In Stock |
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Textbook*Anthology*One-Act |
| CC2 |
| $0.00 /perf.* |
| $16.95 |
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| Middle School | High School | | Middle Schools | High Schools | | Comedy | Drama |
| 1583422811 |
| 07/21/2005 |
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| | |  | Sandra Fenichel Asher's plays have been produced nationally and abroad; more than two dozen have been published, including A Woman Called Truth, In the Garden of the Selfish Giant and Jesse and Grace: A Best Friends Story, all of which have received the AATE Distinguished Play Award. Asher is also a recipient of an NEA fellowship grant in playwriting, the ...More |  | Ric Averill was the artistic director for the Seem-To-Be Players professional children's theatre touring company, Lawrence, Kansas, for many years and currently serves as writer-in-residence and drama program director at the Lawrence Arts Center. His published plays include Reliable Junk; Frankenstein; Robin Hood: The Courtship of Allan A'Dale (with Jeanne Averill); The Seven Voyages of Sinbad the Sailor; Bird Woman: ...More |  | Kent R. Brown is an educator, director, editor and playwright whose works have been produced throughout Canada, Belgium, The Netherlands, Australia and the United States. American venues include People's Light & Theatre Company, Walnut Street Theatre, Greenbrier Valley Theatre, Orlando Repertory, BoarsHead Theater, West Coast Ensemble, Boston Theatre Works, Moving Arts, The Side Project and Pulse Ensemble. Titles include Valentines ...More |  | Max Bush is a freelance playwright and director whose plays are widely produced on professional, educational and amateur stages across the country. He's won many awards for his work including the Distinguished Play Award from AATE, the IUPUI National Playwrighting Competition, and Individual Artist Grants from Michigan Council for the Arts. He's been commissioned by the Nashville Academy Theatre, Emmy ...More | | | | |  | Doug Cooney is a playwright, screenwriter and novelist. His play The Final Tour was workshopped at Sundance Theater Labs with Moises Kaufman directing John Neville and Mary Lou Rosato. He collaborated with composer David O on an original youth musical, The Legend of Alex, produced by the Mark Taper Forum P.L.A.Y., and the musical adaptation of George Saunders' The Very ...More | | |  | Nancy Gall-Clayton has been a visiting artist at Ohio State University, a Tennessee Williams Scholar at Sewanee Writers' Conference and won the Streisand Festival of New Jewish Plays and the Eileen Heckart Senior Drama Competition. She was the featured playwright at Beyond the Borscht Belt: A Jewish Theatre Festival. She was a finalist for Southern Appalachian Repertory Theatre ScriptFEST, Southeastern ...More | | | | | | | | | | | | | | Edward Mast, a fan of J.R.R. Tolkien's work since he was 12, grew up in California and lives in Seattle. His plays for adults and young audiences have been performed in New York, Chicago, Los Angeles, Seattle, Louisville, Honolulu and many other cities here and abroad. Other adaptations besides The Hobbit include Jungalbook, Ramayana, A Wrinkle in Time and The ...More | | | | | | Cynthia Mercati likes to write for family audiences and young people. She loves their zest and involvement in the play they're watching. She has written many children's shows that tour the Midwest including Hey, Aesop! and Bigger Than Life! Her plays for Dramatic Publishing include To See the Stars and Faces of Freedom, both of which deal with the struggles ...More | | | | | | | | |  | Tammy Ryan's plays have been produced across the country and internationally. She won the Francesca Primus Prize awarded by the American Theatre Critics Association in 2012 for her play Lost Boy Found in Whole Foods. Her plays have been developed at the New Harmony Project, Premiere Stages, Playwrights Theatre of New Jersey, Philadelphia Theater Company, City Theatre, Bricolage Production Company ...More | | | | | | |  | Elizabeth Wong, playwright, is a graduate of New York University's Tisch School of the Arts. She directed her latest play Dating and Mating in Modern Times at Theatre Emory in Atlanta, Ga and at the 2003 Brave New Works Festival. The Happy Prince, her opera for young audiences with Grammy-winning composer Michael Silversher, was commissioned by the Kennedy Center ...More |
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This title can be licensed/sold throughout the world
* Please note that royalties quoted in our catalog are intended for K-12 schools with a standard curriculum only. All other producing groups must submit a completed
application.
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