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The Secret Life of Girls
The Secret Life of Girls
"This play is not about real life. It is real life … If you have a daughter under 18, you need to see this show. And if she's over 11, you need to take her with you. Linda Daugherty's powerful script …[is] what many say the theater should be—a moment for reflection about what's true and, in this case, dangerously hidden." —People Newspapers

"Totally sold out. [DCT] had to extend the run of The Secret Life to keep up with demand … [H]ealth professionals have jumped on board to participate in discussions that follow each performance. Linda Daugherty's world premiere … packs quite a shock." —The Dallas Morning News

"Take every female you know to see this play, then go somewhere and talk. It is a candid, stark, and artistically brutal look at bullying, peer pressure, self-abuse, and finding one's own value. … shocking and boldly written." —Better Than Broadway.com
By Linda Daugherty.

Cast: 10w. (9w. with doubling). "I'm going to tell you a secret—and I don't want you to tell. The secret is about me—about my life—how it will never be the same again." In this honest and unflinching dramatization of teen-girl angst, a window is opened into the tumultuous and destructive world of girls' bullying. Abby seeks to gain acceptance as the newest member of the school championship volleyball team. As she and her teammates struggle to find a friend, a place in the group and themselves, their jockeying for position is sometimes humorous and often heartbreaking. Invitations are extended or withheld, individual friendships sacrificed to collective judgments, and alliances formed and changed daily as they careen from exclusion to isolation to acceptance and back again. Bullying in the form of gossiping, keeping secrets, using friendship as a weapon, name-calling, exclusion, spreading rumors, backbiting, clinging to cliques and manipulation become a prelude to dangerous behaviors such as depression, cutting, eating disorders, and premature sexuality. The adults in the girls' lives are either unable or unwilling to change their behaviors. Though desperately concerned, Abby's mother is unable to make contact with her daughter, while the volleyball coach and team mom enable rather than work to effect change. When faced with the consequences of their actions, the girls ultimately resolve—one by one—to change their behaviors. Based upon interviews with girls on the giving and receiving end of bullying, the play highlights the impact of "cyberbullying," the facilitation of mean-spirited behaviors through the use of cell phones, text and instant messaging, e-mail and chat rooms. The portrayal of the sobering reality of these girls' lives can start a conversation in homes, schools and communities, providing the opportunity to reveal the secrets and address the complexities which dominate the lives of many young women. Area staging. Approximate Running Time: 60 minutes.

Also Available:

One-act playbook

Notes
When this play was written, instant messaging was popular; feel free to update technology references to reflect current social media trends.
Play details
Status:  In Stock
Type of show:  Full-Length
Catalog Code:  SM7
Cast Size:  10
No. of Act(s):  1
Pages:  66
Royalty:  $100.00 /perf.*
Cost:  $10.95
Approx. Running Time:  60 min.
Categories
Target Audience: Middle School | High School
Performing Group: Middle Schools | High Schools | College Theatre | Community Theatre | Stock & Lort
Genre: Drama
ISBN (10): 1583425330
Publication Date: 10/15/2007
Biographies
Linda Daugherty's plays have been produced nationally and internationally in professional and community theatres, schools and colleges. She received the 2011 National Award from the Society for Adolescent Health and Medicine for her teen issue plays, The Secret Life of Girls (bullying), EAT (It's Not About Food) (eating disorders), dont u luv me? (teen dating violence) and hard 2 ...More
Rights & Availability
This title can be licensed/sold throughout the world
* Please note that royalties quoted in our catalog are intended for K-12 schools with a standard curriculum only. All other producing groups must submit a completed application.


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