Cast: 4m., 7w. "You can't judge a book by its cover!" Cecil tells Officer Doughberg as he tries to explain why he and his partner, Pug, were caught in a funeral home in the middle of the night. He figures to confuse the policeman with fast talk and mumbo jumbo. Actually, they were there to heist a few trinkets, which is what Doughberg figured all along. What nobody figured on was Beulah Meadows, the owner of the place, showing up and recognizing Cecil as her long-lost son, Jimmy Meadows, who vanished from an amusement park some 25 years earlier. This, of course, comes as a tragic shock to Beulah's daughters, who were just about to sell the funeral home for quite a bundle. "We'll have to get rid of him," intones Gretchen, the oldest daughter, "one way or another." Before you know it, the place is overrun with other-worldly sisters, whining lawyers, policemen, psychiatrists and nuns! Is Cecil really there to help out his would-be mother? Or is he sticking around because he has a crush on Joan, the mortician? And is Cecil really Beulah's long-lost son? Find out in this frantic farce when two con men set out to lift a few pieces of silverware and end up Stealing Home. Brought to you by the author of Monday Always Leads to Murder and Death and Taxes. One int. set. Approximate running time: 90 minutes.