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Mr. Gallion's School (manuscript)
Drama. By Anne Coulter Martens. Based on the book by Jesse Stuart.

Cast: 12m., 15w. (bit parts and extras.) Jesse Stuart, who created both this story and The Thread That Runs So True was an articulate force in education. While Thread comes out of his youthful teaching experiences, Gallion is a more sophisticated challenge. This play, inspired by his later work, explores the complex problems of young people in the 60's.

The play begins when Mr. Gallion stops for a brief look at the high school where years ago he was the principal. He is held there, however, by the shock of the encounter with some rowdy young people, and the sense that this school to which he once gave so much of life, is facing real diffuculties. What is even more disturbing, is that he sees a young man, with obvious potential for advancement, telling his protesting girlfriend that he is dropping out. At this moment, Gallion is recognized, and as the school is presently without a principal, he is asked to come out of retirement and once more join the battle. Gallion finds this challenge irresistible, and he accepts. In doing so, he walks into far more excitement than he bargained for!

Notes
STAGING:
Only one main set is required—Gallion's office. All other scenes are played in front of the curtains. If entrances for in-front-of-curtains scenes are to be made from steps up to the stage, screens may be set up at left and right of the steps.
CAST:
Extras may be added in corridor scenes, office scenes, and the Fair scene. More cheerleaders, band members, graduating students may be added as desired. The cast may be cut by doubling, or by combining certain student speeches.
SCHOOL SONG:
The school song sung at the end should NOT be the song of the school giving the play. It may be any nostalgic high school or college song in which the word "Kensington" can be used.
TEMPO:
Nothing adds more to the polish of a production than the quick picking up of cues. Unless there is a definite reason for a pause, train your actors to come in with their speeches "on the heels," so to speak, of the preceding speeches. When a production lags, audience interest likewise will lag.

It is always advisable during the last week of rehearsals to hold one or more sessions during which the actors merely sit around a circle and go through lines only, with the express purpose of snapping up cues.

—Anne Coulter Martens

The manuscript can be photocopied for production. Just let us know how many copies you will be making, and we will issue a letter of permission.
Play details
Status:  Out of Print
Type of show:  Full-Length
Catalog Code:  MG3
Cast Size:  27
No. of Act(s):  2
Pages:  79
Royalty:  $50.00 /perf.*
Cost:  $35.00
Categories
Target Audience: Middle School | High School | Family (All Audiences)
Performing Group: Middle Schools | High Schools
Genre: Drama
Rights & Availability
This title can be licensed/sold throughout the world
* Please note that royalties quoted in our catalog are intended for K-12 schools with a standard curriculum only. All other producing groups must submit a completed application.


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